I’ve just been sent the cover for Home Products. Andy and Shruti worked hard on it. It also had to be approved by Raj and Sujata. Here’s the jacket-copy:

A film director asks Binod, who is a journalist in Bombay, to produce a portrait of a murdered girl, a poet killed by a politician by whom she is pregnant. The director wants a script about small towns, desire, compromise and intrigue. Probably he wants masala. Subtle and articulate, his sensibility shaped by the classic films of a high-minded and austere boyhood, Binod undertakes to draught a Bollywood story. Unlike Binod is his cousin Rabinder, in Hajipur jail and full of plans. Arrested for turning his cybercafe into a porn parlour, Rabinder is a doer, with dreams of entering films.

Home Products is the story of Binod and Rabinder, brought up as brothers, one a man of hope, the other of appetite, whose ambitions unexpectedly intertwine. As it unfolds, a complex world comes to throbbing life, moving from Motihari where Binod was born, and George Orwell before him; to the Bombay of film, imitation and enterprise; via Delhi, its calm shattered by an assassination and riots.

In the broad sweep of this stunning first novel, acclaimed non-fiction writer Amitava Kumar charts a tale of sexual anxiety and anarchic impulses in a society steeped in crime. Detailing the search among its members for order and artistic brilliance, written with extraordinary inventiveness, Home Products brings aglow the struggle against small-town beginnings. It reminds us gently, and incisively, of our anxieties as middle-class individuals in a middle-class nation.

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Just out from the New Press. The much-awaited work of our own Frantz Fanon. Only sweeter.

“Europe” is morally, spiritually indefensible. And today the indictment is brought against it . . . by tens and tens of thousands of millions of men who, from the depths of slavery, set themselves up as judges.
—AIMÉ CÉSAIRE, DISCOURSE ON COLONIALISM

Here, from a brilliant young writer, is a paradigm-shifting history of both a utopian concept and global movement—the idea of the Third World. The Darker Nations traces the intellectual origins and the political history of the twentieth century attempt to knit together the world’s impoverished countries in opposition to the United States and Soviet spheres of influence in the decades following World War II.

Spanning every continent of the global South, Vijay Prashad’s fascinating narrative takes us from the birth of postcolonial nations after World War II to the downfall and corruption of nationalist regimes. A breakthrough book of cutting-edge scholarship, it includes vivid portraits of Third World giants like India’s Nehru, Egypt’s Nasser, and Indonesia’s Sukarno—as well as scores of extraordinary but now-forgotten intellectuals, artists, and freedom fighters. The Darker Nations restores to memory the vibrant though flawed idea of the Third World, whose demise, Prashad ultimately argues, has produced a much impoverished international political arena.

Vijay Prashad’s previous books include The Karma of Brown Folk and Everybody Was Kung Fu Fighting. He is on the board of the Center for Third World Organizing and a co-founder of the Forum of Indian Leftists. He teaches at Trinity College, Connecticut, and lives in Northampton, Massachusetts.

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